Vol. 36 No. 74 (2026): Perspectivas críticas para os estudos dos Quadrinhos

					View Vol. 36 No. 74 (2026): Perspectivas críticas para os estudos dos Quadrinhos
Published: 2026-11-04

Articles

  • A bakhtinian reading of Brazilian Deaf Literature in comics

    Francyllayans Karla da Silva Fernandes, Edneia de Oliveira Alves
    e95624
    DOI: https://doi.org/10.5902/2176148595624
  • What “blow books” can teach us on publication formats and offscreen mechanisms in comics

    Jan Baetens; Luísa Loureiro Monteiro de Castro Teixeira, Gabriel Lucas Martins Cavalcanti
    e95687
    DOI: https://doi.org/10.5902/2176148595687
  • Intermediality as a tool for comics studies

    Camila Augusta Pires de Figueiredo
    e95155
    DOI: https://doi.org/10.5902/2176148595155
  • Criteria for analyzing comic books from a gender perspective

    Daniela dos Santos Domingues Marino
    e95240
    DOI: https://doi.org/10.5902/2176148595240
  • Possible synthesis: how comics challenge the boundaries of contemporary art

    Valter do Carmo Moreira, Lucas Muniz Reis
    e95586
    DOI: https://doi.org/10.5902/2176148595586
  • From linear to tabular

    Pierre Fresnault-Deruelle; Thai Zeilmann Machado, Maria Clara da Silva Ramos Carneiro
    e95678
    DOI: https://doi.org/10.5902/2176148595678
  • The discursive functioning of comics

    Maria Alice Teixeira de Luna Freire, Mauricio Beck
    e95706
    DOI: https://doi.org/10.5902/2176148595706
  • The machadian narrator of “The Alienist” in two comic book adaptations

    Lou-Ann Kleppa
    e92543
    DOI: https://doi.org/10.5902/2176148592543
  • “Ahh… the net is vast…”: the physical and virtual spaces of The ghost in the shell

    Willy Nascimento Silva
    e95130
    DOI: https://doi.org/10.5902/2176148595130
  • The page as a path: reading practices and experimentation in the anthology Topographies (2016)

    Albenise Mariana de Queiroz Sales, Fábio da Silva Paiva
    e95195
    DOI: https://doi.org/10.5902/2176148595195
  • Thinking the city through comics: decolonial approaches in Beco do Rosário (2015) by Ana Luiza Koehler and Indivisível: uma história de liberdade (2017) by Marília Marz

    Catalina Joseph
    e95547
    DOI: https://doi.org/10.5902/2176148595547
  • Poetry and abstraction in contemporary comics

    GuilhermeLima Bruno e Silveira, Luísa Loureiro Monteiro de Castro Teixeira
    e95653
    DOI: https://doi.org/10.5902/2176148595653
  • In the shadow of alchemy: an analysis of the character Raimundo Flamel in the comic book adaptation of Lima Barreto's “A Nova Califórnia” (The New California)

    Bruno Santos Melo, Maria Clara Tavares da Silva, Rosimere Quirino da Silva
    DOI: https://doi.org/10.5902/2176148595691
  • From literary gothic to imagetic transgression: a comparative, multiliterate approach to Os Porcos

    Amanda da Silva Theodoro, Maria da Guia Taveiro Silva
    e94749
    DOI: https://doi.org/10.5902/2176148594749
  • Comics in the light of disability studies: representations in Cartilagem and Como pedra

    Valéria Sabrina Pereira
    e95156
    DOI: https://doi.org/10.5902/2176148595156
  • The marks of work overload: the representation of teachers through the language of comics

    Carla Giovana de Campos, Rafaela Cristine Merli, Andréia da Cunha Malheiros Santana
    e95299
    DOI: https://doi.org/10.5902/2176148595299
  • An overview of the development of the field comics studies

    Maria Clara da Silva Ramos Carneiro, Lucas Ferreira Vieira
    e95617
    DOI: https://doi.org/10.5902/2176148595617
  • Between narrative and visuality: body and power as a starting point for research in comics

    Marcelle Pacheco Soares
    e95684
    DOI: https://doi.org/10.5902/2176148595684
  • The language of comics and the representation of autism in Nori and I: contributions of comics studies to a dialogue with psychology

    Alessandra Hypolita Drumond Valle Silva Lopes, Nataniel dos Santos Gomes
    e95717
    DOI: https://doi.org/10.5902/2176148595717
  • “Parvaneh, that unfortunate one”: translation decisions in Embroideries, by Marjane Satrapi

    Amanda Casemiro de Freitas, Maria Clara Versiani Galery
    e92680
    DOI: https://doi.org/10.5902/2176148592680
  • Retrato Falado: memory and resistance to the dictatorship through a comic book

    Marcio José Melo Malta
    e95148
    DOI: https://doi.org/10.5902/2176148595148
  • Process criticism in the study of comics authors creative practices: a methodological possibility

    Alberto Ricardo Pessoa
    e95199
    DOI: https://doi.org/10.5902/2176148595199
  • History and art interpelated by the work “Brazilian Women Artists” (2018) by Aline Lemos

    Marilda Lopes Pinheiro Queluz
    e95563
    DOI: https://doi.org/10.5902/2176148595563
  • The lines of Helena Motta: relations between line work, narrative, and printing technologies

    Gabriel Luiz Maia Nascimento, Raissa Brescia dos Reis
    e95662
    DOI: https://doi.org/10.5902/2176148595662
  • Between stones and flowers: Teacher´s daily lives and suffering in The Little Birds School comic strips series

    Jaqueline Adriana Príncipe Pedro, Maria Isabel Borges
    e95701
    DOI: https://doi.org/10.5902/2176148595701
  • Genetic criticism and comics journalism: an analysis of the creative process of the interview Toniolo, by Pablito Aguiar

    Rodrigo Cabrini Dall'Ago, Tacia Rocha, Hélcius Batista Pereira
    e95129
    DOI: https://doi.org/10.5902/2176148595129
  • Graphic testimony and visual trace: the comics diaries of Amal Al Nakhala

    Raphael Domingos de Ávila, Christina Ferraz Musse
    e95194
    DOI: https://doi.org/10.5902/2176148595194
  • An overview of the theoretical approaches of text and image in comics

    Lielson Zeni, Ícaro Silva Gonçalves
    e95419
    DOI: https://doi.org/10.5902/2176148595419

Entrevista

  • Interview with Paulo Santos: the art and rebellion of Mundurucu na Confederação do Equador

    Luiz Eduardo da Silva Andrade
    e93836
    DOI: https://doi.org/10.5902/2176148593836