Disability, movies, imaginary and teacher training

Authors

  • Maria Inês Naujorks Universidade Federal de Santa Maria, Rio Grande do Sul
  • Daniela Corte Real Universidade Federal de Santa Maria, Rio Grande do Sul
  • Alana Claudia Mohr Universidade Federal de Santa Maria, Rio Grande do Sul

DOI:

https://doi.org/10.5902/1984686X4361

Keywords:

Disabilities, Movies, Imaginary, Teacher training.

Abstract

In this article we intend to articulate the relationship between cinema, imaginary, Deficiency and teacher training reflecting on the possibilities of intervention / teacher training in the perspective of inclusive education. Understanding cinema as art, communication, entertainment and culture transmitting device, observe the power of this artifact as a mediator of media relations involving the various subjects of special education in multiple instances that overwhelm the relations of teaching / learning. We return to the idea of meaningful cinema as an educational resource enhancer communicative and expressive power of audiovisual language. To do so we must think of cinema as culture, the transmitting device in the educational field that requires mastery of a certain knowledge about the art that, in turn, drives the process of teacher training through the aesthetic mediation. The valuation of knowledge of cinema (REIS, 2005) teams up with this other configuration than we dare to call new grammar of special education in inclusive perspective that may broaden the training goes beyond the boundaries of classrooms and reframes the processes of reading construction of knowledge and teaching.

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Published

2011-12-24

How to Cite

Naujorks, M. I., Real, D. C., & Mohr, A. C. (2011). Disability, movies, imaginary and teacher training. Special Education Magazine, 24(41), 427–440. https://doi.org/10.5902/1984686X4361