On the intersection between abstract and figurative arts in Schopenhauer’s aesthetic metaphysics
DOI:
https://doi.org/10.5902/2179378688742Keywords:
Schopenhauer, Abstract arts, Music, SublimeAbstract
Schopenhauer’s remarks about different art expressions are known to affirm instrumental music’s superiority. As the abstract arts enter the spotlight in the contemporary scene, some of the philosopher’s interpreters suggest a relation between abstract painting and music, since both operate in a non-figurative manner. This article intends to draw instrumental music and abstract painting closer to other artistic manifestations, figurativism included, according to his own aesthetic metaphysics as well as Thomas Weiskel’s theory of the sublime.
Downloads
References
CACCIOLA, Maria Lúcia. A contemplação estética: Schopenhauer e Mondrian. Revista Dois Pontos, Curitiba, v. 11, n. 1, p. 91-103, 2014.
CACCIOLA, Maria Lúcia, Sobre o gênio na estética de Schopenhauer. Etic@, Florianópolis, v. 11, n. 2, p. 31-42, 2012.
DAMASCENO, Francisco William Mendes. A busca schopenhaueriana das identidades fundamentais: a influência platônica. Revista Voluntas: Estudos sobre Schopenhauer, Santa Maria, v. 12, n. 1, p. 1-32, 2021.
FONSECA, Eduardo Ribeiro; AGUIAR, Gabriel do Carmo. Kandinsky e a relação entre música e pintura na metafísica do belo de Schopenhauer. Revista Voluntas: Estudos sobre Schopenhauer, Santa Maria, v. 14, n. 1, p. 1-17, 2023.
GONÇALVES, Rosa Gabriella. Abstração e empatia: Schopenhauer e a fundamentação da arte abstrata. Revista Voluntas: Estudos sobre Schopenhauer, Santa Maria, v. 12, n. esp, p. 01-10, 2021.
KAMATA, Yasuo. Ideia platônica e o mundo intuitivo em Schopenhauer. Revista Voluntas: Estudos sobre Schopenhauer, Santa Maria, v. 8, n. 2, p. 150-164, 2017.
KANDINSKY, Wassily. Do espiritual na arte. São Paulo: Martins Fontes, 1990.
KANT, Immanuel. Crítica da Faculdade de Julgar. Petrópolis: Vozes, 2016.
SCHOPENHAUER, Arthur. O mundo como vontade e como representação. Tomo I. Trad: Jair Barboza. São Paulo: Unesp, 2005.
SCHOPENHAUER, Arthur. O mundo como vontade e como representação. Tomo II. Trad: Jair Barboza. São Paulo: Unesp, 2015.
SILVA, Luan Corrêa. A unidade ética em O mundo como vontade e representação de Schopenhauer. Revista Voluntas: Estudos sobre Schopenhauer, Santa Maria, v. 9, n. 2, p. 4-15, 2018.
WEISKEL, Thomas. O sublime romântico - Estudos sobre a Estrutura e a Psicologia da Transcendência. Rio de Janeiro: Imago, 1994.
XHIGNESSE, Michel-Antoine. Schopenhauer’s Aesthetic Ideology. In: BATHER WOODS, David; STOLL, Timothy. (eds.). The Schopenhauerian Mind. New York: Routledge, 2023. p. 127-140.
ZÖLLER, G. A música como vontade e representação. Cadernos de filosofia alemã, São Paulo, n. 16, p. 55-80, 2010.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Renata Covali Cairolli Achlei
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The submission of original manuscripts to this journal implies the transference, by the authors, of the copyrights for printed and digital publication. The copyrights of a published manuscript belong ultimately to the author, and only the copyright for its first publication is reserved to the journal. Authors may only use the same results in other publications explicitly indicating this journal as the medium of the original publication.
Licence
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) - This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.
