WILLIAM BLAKE AND THE TURBULENT YEAR OF 1809: DESCRIPTIVE CATALOGUES, CREATIVES DISAGREMENTS AND VISIONARY WORKS OF ART
DOI:
https://doi.org/10.5902/18799Keywords:
William Blake, Literary Criticism, Translation.Abstract
In this paper, I will discuss Blake’s problematic relationship with the publisher Robert Cromek and how this conflict gave rise to the main works of Blake in 1809: the painting dedicated to the pilgrims of Chaucer. Second, I will detail how the exhibition 1809 is essential to understand the vision that Blake had about his own production. His Descriptive Catalogue, which translation is published here, is a fundamental text to understand the artist’s relationship with his work and the commercial and cultural environment in which he lived.
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References
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