Collective Poetic Productions with Participation and Collaboration
DOI:
https://doi.org/10.5902/2595523368915Abstract
The article deals with a poetic production in contemporary art where participatory and collaborative methods were the basis of a process, which resulted in collective works. The proposal was built from the “Giant Malas Artistic Project”, where the Mala, which is a necklace with 108 beads used in Buddhist meditation practices, was produced in large dimensions from ceramic beads about 7 cm in diameter, reaching approximately 6 to 8 meters in length when assembled. Throughout the project, the relationship between art, spirituality, Buddhism and ceramics was the guiding principle for the participants of the proposal, where manual making and mental presence were transformed into a meditative practice which in the end generated a symbol of collectivity where the spheres made individually connected through a thread giving birth to the Giant Malas. We started with an offer of classes, where ceramic techniques and reflections based on Buddhism were transmitted via YouTube; each participant connected and produced their spheres individually according to their motivation, there was no number or goal to be reached, but an invitation to practice. This process happened along with the period of social isolation due to the covid-19 pandemic, starting in May 2020. He had an expanded time so that many spheres could be made. In October 2021 we had the conditions that made it possible to gather a group to assemble the Malas and carry out collective installations.
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Copyright (c) 2022 Cláudia Zanatta, Mariana Wartchow
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
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