Bodily practices in flamenco dance at an university extension project

Authors

DOI:

https://doi.org/10.5902/2179460X40627

Keywords:

Flamenco, Dance, Body Consciousness

Abstract

The extension project “Bodily practices in flamenco dance: the relational space of a sensible body” brings the community of Cachoeira do Sul, RS, bases of body awareness, movement, expression and interpretation through the learning and knowledge of flamenco culture and dance. Flamenco has been recognized by UNESCO since 2010 as an Intangible Cultural Heritage of Humanity, being an artistic expression resulting from the composition of the song, musical touch and body movement, being only possible through the understanding of the art as a set of these elements. This composition has as its main objective to narrate a story (present in the song) and to express the feelings that such story brings (for example, sadness, happiness, regret). The project has the participation of the academic community and the general community of Cachoeira do Sul alike, developing expression and body awareness, fighting against sedentary, bringing quality of life to participants, improving posture and self-esteem, proposing challenges and teamwork.  The project’s target audience ranges from young people to adults of all genders, proposing interaction and learning between different audiences. Art belongs from everyone to everyone, and the spread of different cultures makes a very positive contribution to the citizen formation.

Downloads

Download data is not yet available.

Author Biographies

Stéphane Soares Vieira, Universidade Federal de Santa Maria, Cachoeira do Sul, RS

Universidade Federal de Santa Maria – Campus Cachoeira do Sul

Verônica Garcia Donoso, Universidade Federal de Santa Maria, Cachoeira do Sul, RS

Universidade Federal de Santa Maria – Campus Cachoeira do Sul

References

BERTAZZO, I. Corpo Vivo: Reeducação do Movimento. 2st ed. São Paulo: SESC, 2015.

BIGLIONE, VA. Uma Análise da Cena de Dança Flamenca em São Paulo: contextos e processos artísticos [monography]. São Paulo: Comunicação das Artes do Corpo, Pontifícia Universidade Católica de São Paulo; 2018.

CANARIM, S de R. Israel Galván: Poética em Metamorfose. [dissertation]. Porto Alegre: Instituto de Artes/Universidade Federal do Rio Grande do Sul; 2017.

DUARTE, G de O; SILVA, MR da, organizers. Qual a sua dança? Dança para crianças e adolescentes. 1st ed. Santa Maria, RS: UFSM, NTE e UAB, 2017.

ESTEVES, B. Dança Flamenca: Corpo, Técnica e Estética [monography]. Natal: Departamento de Artes/Universidade Federal do Rio Grande do Norte; 2013.

FLAMENCOPOLIS [Internet]. Faustino Nuñez, 2011. [cited 2019 Ago 18]. Available from: http://www.flamencopolis.com.

LABAN, R. El domínio del movimiento. Cuello JB translator. Editoral Fundamentos: Madrid, 2006.

LACOMBE, P. Consciência corporal: o que é e como ela influencia nosso dia a dia [Internet]. Campinas: Instituto Patrícia Lacombe; 2018 Set 24 [cited 2018 ago 18]. Available from: http://patricialacombe.com.br/bog/consciencia-orporal-o-que-e-e-como-ela-influencia-nosso-di-a-dia/.

MERLEAU-PONTY, M. Fenomenologia da Percepção. 2 st ed. Martins Fontes: São Paulo, 1999.

RUNWAY D. Entenda o que é consciência corporal e como ela ajuda no dia a dia [Internet]. 2018 mar 21 [cited 2018 ago 18]. Available from: https://blog.runway.com.br/entenda-o-que-e-consiencia-corporal-e-como-ela-influencia-nosso-dia-a-dia/.

ZANIN, FC. O violão flamenco e as formas musicais flamencas. R.cient./FAP, 2008;3(jan/dez):123-152. Available from: http://periodicos.unespar.edu.br/index.php/revistacientifica/article/view/1630.

Published

2020-02-07

How to Cite

Vieira, S. S., & Donoso, V. G. (2020). Bodily practices in flamenco dance at an university extension project. Ciência E Natura, 42, e5. https://doi.org/10.5902/2179460X40627