The Poetics of Devastation by Yan Lianke

Authors

DOI:

https://doi.org/10.5902/1679849X75245

Keywords:

Drought, Famine, Censorship, Authoritarianism, Genocide

Abstract

This article presents an analysis of the work of Chinese writer Yan Lianke. A contemporary fiction writer, Lianke became recognized worldwide for his critical approach about the developmental race practised in the China of Mao Tse-Tung and of his Communist Party since the Cultural Revolution. Having been pursued by the Party's censorship, Lianke recognizes the self-censoring process in his writing. That way, Lianke's “allegoric” style acquires a double functionality: it links itself directly to the codified forms of a millenarian culture that remains alive in the small agricultural villages of a relegated China, and on the other hand, it also directly attacks a devastating and monolithic regime that hides human tragedies under a developmental propaganda. The discussion made in this paper will closely focus on Lianke's novel Days, months, years, published in 2009.

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Author Biography

Carlos Eduardo Bione, Université Paris 13 Sorbonne-Paris-Cité

Pesquisador associado ao Centre de Recherche sur les Pays Lusophones (CREPAL - Paris 3). Doutorando em Études Brésiliennes - Littérature Brésilienne da Université Sorbonne Nouvelle Paris 3.

References

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Published

2012-06-08

How to Cite

Bione, C. E. (2012). The Poetics of Devastation by Yan Lianke. Literatura E Autoritarismo, (8), 32–45. https://doi.org/10.5902/1679849X75245