Music as language of will in Schopenhauer and its materialization in Mozart's quartet K285
DOI:
https://doi.org/10.5902/2179378684058Keywords:
Philosophy, Music, Melody , Harmony, Rhythm, MaterializationAbstract
The following paper establishes a relation between Aesthetics and Metaphysics branches, with special attention to Philosophy of Music. Its main attempt is to expound the materialization of musical elements such as: melody, harmony and rhythm through Arthur Schopenhauer in The World as Will and Representation (paragraph 52) and the implementation of those philosophical concepts to the Quartet K285 for flute and strings, composed by W.A. Mozart. Both humanists: the former from a philosophical and the latter from a musical perspective, bring fundamental ideas that influence the way of thinking, understanding, interpreting and performing each one, which represents a contribution to the artisticontological reflection that has been part of the study of thinking and sound from the 20th century to the present day.
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