O modelo integrativo para o espaço semântico da música e um processo educacional musical contemporâneo: a herança científica e criativa de Mikhail Borisovich Ignatyev

Autores

DOI:

https://doi.org/10.5902/1984644453329

Palavras-chave:

Modelo integrativo para o espaço semântico da música, Mikhail Borisovich Ignatyev, Modelagem combinatória-lingüística, Educação musical, Tecnologias de computação musical

Resumo

O advento da tecnologia da computação levou à criação e ao desenvolvimento de novas formas de ensino da arte musical. O surgimento das tecnologias de computação musical (MCT) foi a base para a criação tanto de novas formas no processo educacional quanto de novos sujeitos, o surgimento de novas disciplinas e novas tendências educacionais no sistema de uma educação musical contemporânea. Esses novos assuntos, como "Informática Musical", "Trabalho Criativo de Música de Computador", "Arranjo e Composição de Computador, Programação de Som e Timbre", "Instrumentos Musicais Eletrônicos" e muitos outros, refletem totalmente a essência das mudanças que ocorreram em abordagens para o estudo da arte musical. Este artigo analisa a possibilidade de incluir um modelo integrativo para o espaço semântico da música, desenvolvido com a participação do destacado cibernético, o cientista Mikhail Borisovich Ignatyev, em um processo educacional musical contemporâneo.

Biografia do Autor

Irina Gorbunova, State Pedagogical University of Russia

Full Professor, Doctor of Sciences (Pedagogy), State Pedagogical University of Russia, St. Petersburg, Russia; email: gorbunova7575@yandex.ru

Referências

ALIEVA, I.G., GORBUNOVA, I.B. About fuzzy methods for analyzing pitch in music. World of Science, Culture, Education, v. 3, n. 64, p. 171-174, 2017.

ALIEVA, I.G., GORBUNOVA, I.B. About the project of creating an intelligent system for cataloging and analyzing the music of world nations. Society: philosophy, history, culture, v. 9, p. 105-108, 2016.

ALIEVA, I.G., GORBUNOVA, I.B. Problems of forming the cognitive hearing of a professional musician. World of Science, Culture, Education, v. 3, n. 64, p. 169-171, 2017a.

ALIEVA, I.G., GORBUNOVA, I.B., MEZENTSEVA, S.V. Music Computer Technologies as a Worth-While Means of Folklore Studying, Preserving and Transmission. Utopia y Praxis Latinoamericana, v. 24, n. S6, p. 118-131, 2019a.

ALIEVA, I.G., GORBUNOVA, I.B., MEZENTSEVA, S.V. Musical Computer Technologies as an Instrument of Transmission and Preservation of Musical Folklore (by the Example of the Russian Far East). Music Scholarship, v. 1, p. 140-149, 2019.

BARANTSEV, R.G. The history of semiodynamics. Documents, discussions, comments. Moscow-Izhevsk: “Research and development centre: Regular and chaotic dynamics, 2006.

EULER, L. Tentamen novae theoriae musicae ex certissimis harmoniae principiis delucide expositae. Petropoli: Typographia Academiae Scientiarum, 1739.

GORBUNOVA, I.B. Electronic Musical Instruments: to the Problem of Formation of Performance Mastery. 16th International Conference on Literature, Languages, Humanities & Social Sciences (LLHSS-18). Int'l Conference Proceedings. Budapest, Hungary, 2018a.

GORBUNOVA, I.B. Music Computer Technologies in the Perspective of Digital Humanities, Arts, and Researches. Opcion, v. 35, n. S24, p. 360-375, 2019d.

GORBUNOVA, I.B. New Tool for a Musician. 15th International Conference on Education, Economics, Humanities and Interdisciplinary Studies (EEHIS-18). International Conference Proceedings (2018, June 20-21). Paris, France, 2018b.

GORBUNOVA, I.B. The concept of music-computer pedagogical education in Russia. World of science, culture, education, v. 4, n. 77, p. 267-275, 2019c.

GORBUNOVA, I.B., CHIBIREV, S.V. Modeling the Process of Musical Creativity in Musical Instrument Digital Interface Format. Opcion, v. 35, n. S22, p. 392-409, 2019.

GORBUNOVA, I.B., HINER, H. Music Computer Technologies and Interactive Systems of Education in Digital Age School. Proceedings of the International Conference Communicative Strategies of Information Society (CSIS 2018), р. 124-128, 2019.

GORBUNOVA, I.B., KAMERIS, A. Music Computer Education Concept for Teachers: Raising the Problem. International Journal of Recent Technology and Engineering, v. 8, n. 2S4, p. 913-918, 2019.

GORBUNOVA, I.B., KAMERIS, A., BAZHUKOVA, E.N. Musical Informatics Course for Musicians with Using Music Computer Technologies. International Journal of Recent Technology and Engineering, v. 8, n. 6, p. 3040-3045, 2020.

GORBUNOVA, I.B., PETROVA, N.N. Music Computer Technologies, Supply Chain Strategy and Transformation Processes in Socio-Cultural Paradigm of Performing Art: Using Digital Button Accordion. International Journal of Supply Chain Management, v. 8, n. 6, p. 436-445, 2019.

GORBUNOVA, I.B., ZALIVADNY, M.S. Leonhard Euler’s Theory of Music: Its Present-Day Significance and Influence on Certain Fields of Musical Thought. Music Scholarship, v. 3, n. 36, p. 104-111, 2019.

GORBUNOVA, I.B., ZALIVADNY, M.S. On the premises of soft computing in music theory. In the collection: An integrative model of a semantic space of music: a collection of articles. St. Petersburg: Publishing House of the Herzen State Pedagogical University of Russia, 2016a.

GORBUNOVA, I.B., ZALIVADNY, M.S. The problem of structuring the universal range of heights and rhythmic values in music. World of Science, Culture, Education, v. 4, n. 65, p. 149-150, 2017.

GORBUNOVA, I.B., ZALIVADNY, M.S., TOVPICH, I.O. An integrative model of a semantic space of music: a collection of articles. St. Petersburg: Publishing House of the Herzen State Pedagogical University of Russia, 2016.

GORBUNOVA, I.B., ZALIVADNY. M.S. The experience of the mathematical representation of music and logical regularities in the book of J. Xenakis "Formalized Music". Society. Environment. Development, v. 4, n. 25, p. 135-138, 2012.

IGNATYEV, M.B., MAKIN, A.I. Linguistic-combinatorial modeling of music. Contemporary Musical Education-2018: Materials of the 18th International Research and Practical Conference. St. Petersburg: Publishing House of the Herzen State Pedagogical University of Russia, 2019.

IGNATYEV, M.B., NIKITIN, A.V., RESHETNIKOVA, N.N., SMIRNOV, Yu.M. All-Russian virtual department in specialty 220100 “Computing machinery, complexes, systems and networks”. Issue 1. St. Petersburg – Moscow, 1999.

IGNATYEV, M.B., ZALIVADNY, M.S., RESHETNIKOVA, N.N. An integrative model of a semantic space of music. In the collection: 7th International Scientific Conference "High Technologies of Education and Science". St. Petersburg: Publishing House of SPbSTU, 2000.

IGNATYEV, M.B., ZALIVADNY, M.S., RESHETNIKOVA, N.N. An integrative model of a semantic space of music. In the collection: An integrative model of a semantic space of music: a collection of articles. St. Petersburg: Publishing House of the Herzen State Pedagogical University of Russia, 2016.

KUDIN, P.A. Proportions in the picture as musical concord. St. Petersburg: Rubin, 1997.

PETUKHOV, S.V. Matrix genetics, algebras of the genetic code, noise immunity. Moscow; Izhevsk: Research and development centre: Regular and chaotic dynamics”, 2008.

RAGS, Yu.N. Prospects for the development of a computer science course in music educational institutions. Contemporary Musical Education - 2003: Proceedings of the 2nd International Research and Practical Conference (October 9-11, 2003). St. Petersburg: Publishing House of the Herzen State Pedagogical University of Russia, 2003.

SHUBNIKOV, A.V., KOPTSIK, V.A. Symmetry in science and art. Moscow: Institute of Computer Research, 2004.

WEYL, H. Symmetry. Moscow: Science, 1968.

XENAKIS, I. Musiques formelles. La Revue musicale, n. 253/254, 1963.

ZOBOV, R.A., MOSTEPANENKO, A.M. About the typology of spatiotemporal relations in the field of art. Rhythm, space, time in literature and art. L., p. 11–25, 1974.

Publicado

2021-06-30

Como Citar

Gorbunova, I. (2021). O modelo integrativo para o espaço semântico da música e um processo educacional musical contemporâneo: a herança científica e criativa de Mikhail Borisovich Ignatyev. Educação, 46(1), e65/ 1–23. https://doi.org/10.5902/1984644453329