Mais show, menos talk: espetáculo em conversas, humores e auto-referencialidade

Authors

  • Nísia Martins do Rosário Universidade do Vale do Rio dos Sinos image/svg+xml

DOI:

https://doi.org/10.5902/2175497790469

Keywords:

Genres, Reading contract, Semi semioses

Abstract

The process of television production which is based on genres opens at least three major flanks. On the one hand the security to rigidify the interpretation of the programs by repeating and legitimating meanings; on the other hand, the opacity which permeates new formats and genres, denying clarity in the reading contract. Finally, it should be considered that the latter approach may precisely expand the possibilities of semioses by the television spectator.

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Author Biography

Nísia Martins do Rosário, Universidade do Vale do Rio dos Sinos

Professor and researcher of the Postgraduate Program in Communication at the Universidade do Vale do Rio dos Sinos; PhD in Communication, Culture and Technology (PUC/RS); Professor of the Social Communication Course and the Specialization Course in Graphic Design at Unisinos.

References

BOURDIEU, Pierre. O poder simbólico. Lisboa/Rio de Janeiro: Dipel/ Bertrand Brasil, 1989.

ECO, Umberto. Viagem na irrealidade cotidiana. Rio de Janeiro: Nova Fronteira, 1984.

FOUCAULT, Michel. Microfísica do poder. Rio de Janeiro: Graal, 1993. FOUCAULT, Michel. A ordem do discurso. São Paulo: Loyola, 1996.

MARTIN BAARBERO, Jesus. Dos meios as mediações. Rio de Janeiro: UFRJ, 1997.

REQUENA, Jesus Gonzalez. El discurso televisivo: espetáculo de la posmodernidad. Madrid: Cátedra, 1995.

SARLO, Beatriz. Cenas da vida pós-moderna. Rio de janeiro: UFRJ, 1997.

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Published

2024-12-23

How to Cite

Rosário, N. M. do. (2024). Mais show, menos talk: espetáculo em conversas, humores e auto-referencialidade. Animus.Inter-American Journal of Media Communication, 7(13). https://doi.org/10.5902/2175497790469

Issue

Vol. 7 No. 13 (2008)

Section

Dossiê Televisão

License

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