The ground, the cloth and the stick
DOI:
https://doi.org/10.5902/1983734832877Keywords:
Art, Education, Non-structured materials, Experience, MemoryAbstract
Autobiographical report that pass-through an experience in theater, art-education and teacher education. It takes three non-structured materials – the ground, the cloth and the stick, as structural and structuring elements for those practices, which are at the same time concrete and symbolic. A tour through photographic registers, gives space for body memories on the different works which I have been developing and makes it possible to rediscover those three ever present elements, building and transforming her experiences. The ground, the cloth and the stick compose a route of navigation that brings the conflicts present in human relations around creation, the challenge to position oneself in the face of multiple possibilities and ephemerality of the symbolic productions, the approach to the enigma of desire.
Downloads
References
ARTAUD, A. O teatro e seu duplo. São Paulo: Max Limonad, 1987. p. 120
BERGSON, H. Matéria e Memória – Ensaio sobre a relação do corpo com o espírito. São Paulo: Martins Fontes, 1990.
LARROSA, J. Tremores: escritos sobre experiência. Belo Horizonte: Autêntica Editora, 2015.
OSTROWER, F. Criatividade e Processos de Criação. Petrópolis: Editora Vozes, 1977.