WILLIAM BLAKE AND THE TURBULENT YEAR OF 1809: DESCRIPTIVE CATALOGUES, CREATIVES DISAGREMENTS AND VISIONARY WORKS OF ART

Authors

  • Enéias Farias Tavares

DOI:

https://doi.org/10.5902/18799

Keywords:

William Blake, Literary Criticism, Translation.

Abstract

In this paper, I will discuss Blake’s problematic relationship with the publisher Robert Cromek and how this conflict gave rise to the main works of Blake in 1809: the painting dedicated to the pilgrims of Chaucer. Second, I will detail how the exhibition 1809 is essential to understand the vision that Blake had about his own production. His Descriptive Catalogue, which translation is published here, is a fundamental text to understand the artist’s relationship with his work and the commercial and cultural environment in which he lived.

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References

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BOURDIEU, Pierre. As Regras da arte . São Paulo: Cia das Letras, 1996.

BOWDEN, Betsy. Tales told and tellers of tales: illustrations of the Canterbury Tales in the Course of the Eighteenth Century. In: FINLEY, William K. ROSEMBLUM, Joseph (Ed.). Chaucer Illustrated – 500 years of the Canterbury Tales in Pictures. London: Oak Knoll Press & The British Library, 2003.

CHAUCER, Geoffrey. Os Contos da Cantuária . (Apresentação, tradução e notas de Paulo Vizioli). São Paulo: T.A. Queiroz, 1988.

EAVES, Morris. The Counter-Arts Conspiracy : Art and Industry in the Age of Blake. Ithaca, N.Y.: Cornell University Press, 1992.

GILCHRIST, Alexander. The Life of William Blake : Pictor Ignotus. London: Macmillan, 1863.

MERTZ, J. B. Blake v. Cromek : A Contemporary Ruling. Modern Philology, v. 99, 2001.

RYAN, R. Blake and religion. In: EAVES, M. (Ed.). Cambridge Companion to William Blake . Cambridge: Cambridge University Press, 2003, p. 150 – 168.

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MYRONE, Martin. William Blake – Seen in my visions. London: Tate, 2009, p. 20.

WILSON, Mona. The Life of William Blake . Oxford: Oxford University Press, 1971.

Published

2014-09-01

How to Cite

Tavares, E. F. (2014). WILLIAM BLAKE AND THE TURBULENT YEAR OF 1809: DESCRIPTIVE CATALOGUES, CREATIVES DISAGREMENTS AND VISIONARY WORKS OF ART. Fragmentum, (42), 13–26. https://doi.org/10.5902/18799