Music and subjectivity in Schopenhauer

Authors

DOI:

https://doi.org/10.5902/2179378689200

Keywords:

Music, Will, Musical feelings, Persona

Abstract

This article aims at characterizing the theoretical and speculative points that support Schopenhauer's metaphysics of music, and then, based on a questioning of the relationship between emotion and musical expression, it intends to indicate the possible meanings that subjective individuality can acquire in the same context.

Downloads

Download data is not yet available.

Author Biography

Fernando Ribeiro de Moraes Barros, Universidade de Brasília

PhD in Philosophy from the University of São Paulo.

References

BYRON, George Gordon. Letters and Journals of Lord Byron. 1. vol. Nova York: J & J Harper, 1830.

BUDD, Malcolm. Music’s arousal of emotions. In: GRACYK, Theodore; KANIA, Andrew (ed.). The Routledge companion to philosophy and music. Nova York: Routledge, 2011.

HANSLICK, Eduard. Do belo musical. Tradução: Nicolino Simone Neto. Campinas: Unicamp, 1989.

MAHNKOPF, Claus-Steffen. Die Sprachmächtigkeit der Musik. Eine Skizze des Problems. In: FUHRMANN, Wolfgang; MAHNKOPF, Claus-Steffen (ed.) Perspektiven der Musikphilosophie. Berlim: Suhrkamp, 2021. p. 153-175.

PLATO. The Republic. Tradução: Tom Griffith. Cambridge: Cambridge University Press, 2018.

REICHER-MAREK, Maria Elizabeth. Einführung in die philosophische Ästhetik. Darmstadt: Wissenschaftliche Buchgesellschaft, 2005.

RUFFING, Margit. O sujeito do conhecimento – o objeto da ação: a “passagem”, identidade e diferença na filosofia de Arthur Schopenhauer. Cadernos de filosofia alemã, São Paulo, n. 13, p. 11-28, jan./jun., 2009. DOI: https://doi.org/10.11606/issn.2318-9800.v0i13p11-28

SCHOPENHAUER, Arthur. O mundo como vontade e como representação. Tomo I. Tradução: Jair Barboza. São Paulo: Unesp, 2005.

SCHOPENHAUER, Arthur. Sobre a quadrúplice raiz do princípio de razão suficiente. Tradução: Oswaldo Giacoia Jr. e Gabriel Valladão Silva. Campinas: Unicamp, 2020.

SCHOPENHAUER, Arthur. Die Welt als Wille und Vorstellung II. Edição de Wolfgang Frhr. Löhneysen. Stuttgart/Frankfurt am Main: Suhrkamp, 1986.

STOLZENBERG, Jürgen. Zur Idee des musikalischen Subjekts. In: FUHRMANN, Wolfgang; MAHNKOPF, Claus-Steffen (ed.). Perspektiven der Musikphilosophie. Berlim: Suhrkamp, 2021. p. 311-333.

WALTON, Kendall L. Fearing Fictions. In: LAMARQUE, Peter; OLSEN, Stein H. (ed.). Aesthetics and the Philosophy of Art: The Analytic Tradition. Malden/Oxford: Blackwell Publishing, 2004. p. 307-319.

ZÖLLER, Günter. A música como vontade e representação. Cadernos de filosofia alemã, São Paulo, n. 16, p. 55-80, jul./dez. 2011 DOI: https://doi.org/10.11606/issn.2318-9800.v0i16p55-80

Published

2024-12-18

How to Cite

Barros, F. R. de M. (2024). Music and subjectivity in Schopenhauer. Voluntas: International Journal of Philosophy, 15(1), e89200. https://doi.org/10.5902/2179378689200

Issue

Section

Schopenhauerian Studies (Continuous Flow)