Vol. 4 No. 2 (2024): Gutenberg – Revista de Produção Editorial

Apresentação

• Presentación del dossier «Los tipógrafos ayer y hoy»

  Marina Garone Gravier, Zazilha Lotz Cruz García, Juan Pablo Herrera Pretelín, Ángel Chávez-Mancilla

  • PDF (Português (Brasil))

• EXPEDIENTE

  05-07

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5902/2763938X89192

Artigos

• Fragments of São Paulo city graphic memory: periodicals printed by Typographia Hennies Irmãos (Hennies Brothers Letterpress Printing Shop) for immigrant communities

  Jade Samara Piaia, Priscila Lena Farias

  08-30

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5902/2763938X87302

• The first typographers in Sonora: forging the printed history

  Josué Sarabia Barrera

  31-38

  • PDF (Español (España))

  DOI: https://doi.org/10.5902/2763938X87319

• Circulating books, presses and typography Protestantism and ideology in western Mexico, the case of Aguascalientes and Zacatecas (1823-1873)

  Lourdes Calíope Martínez González

  39-61

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5902/2763938X87409

• The Voices of Pão: Interviews with Typographers

  Ana Utsch, Marina Laís de Lima

  62-79

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5902/2763938X87275

• The matter of printed type: history, form and origin of the first types cast in Minas Gerais, Brazil

  Emerson Nunes Eller

  80-99

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5902/2763938X87412

• Marconi Lima: behind and ahead of the curves of type design

  Mário Vinícius Ribeiro Gonçalves

  100-114

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5902/2763938X87539

• Recognition of training modalities in graphic arts through the accounts of typographers. Colombian case, 1950-2000.

  Laura Judith Sandoval Sarmiento, Hugo Alonso Plazas Paéz

  115-135

  • PDF (Español (España))

  DOI: https://doi.org/10.5902/2763938X86939

• Typographer’s craft and hand-printed books conceived as cultural heritage at Taller Gráfica de Comala, Mexico

  Luis Ignacio Gómez Arriola

  136-159

  • PDF (Español (España))

  DOI: https://doi.org/10.5902/2763938X87307

• «Move Slow and Mend Things»: the emergence of a new generation of typographers as a double operation of resistance to hegemonic narratives in the society of late capitalism

  Marisa Elizalde-Bulanti

  160-174

  • PDF (Español (España))

  DOI: https://doi.org/10.5902/2763938X87326

• The forest is a graphic park: dialogues with Mestre Zuca, an Amazonian typographer

  Laura Castro de Araujo

  175-186

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5902/2763938X87292