Invented worlds: autism spectrum disorder and the creative process of imaginary habitats and creatures

Authors

DOI:

https://doi.org/10.5902/2595523389617

Keywords:

Contemporary art, Creative process, Hyperfocus

Abstract

Art has the power to transport us to unknown worlds, challenging the conventions of reality and expanding the limits of imagination. This article investigates the poetic work of XXXXXXXXXXXX, an artist with Autism Spectrum Disorder (ASD), and highlights the role of hyperfocus and imaginary in the creation of sculptures and installations that explore the idea of invented worlds. In this context, the research poses the question: how can the hyperfocus and imaginary in ASD be a creative tool for the production of contemporary art? Using concepts of aesthetics, poietics and possible worlds, such as those of Luigi Pareyson, René Passeron, Cecilia Salles and Marina Bethonico, as well as artistic influences from Walmor Corrêa and Lygia Clark, artworks from the XXXXXXXXXXXXXXXXXXXXXX series are examined, their creative process and how they instigate the viewer to participate in subjective and interactive visual narratives, highlighting the potential of art to transform ordinary into extraordinary.

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Author Biographies

Frederick Antunes Rodrigues, Federal University of Santa Maria

Master's degree in Visual Arts from the Federal University of Santa Maria.

Karine Gomes Perez Vieira, Federal University of Santa Maria

PhD in Visual Arts from the Federal University of Rio Grande do Sul.

References

ASHINOFF, Brandon; ABU-AKEL, Ahmad. Hyperfocus: the forgotten frontier of attention. Psychological Research, v. 85, p. 1–19, 2021.

BETHONICO, Marina. Romagnoli. A Imagem-Ficção como Estratégia de Ação para Mundos Possíveis. Palíndromo, v. 12, n 27, p. 199-213, 2020.

CAUQUELIN, Anne. No Ângulo dos Mundos Possíveis. São Paulo: Martins Fontes, 2011.

CLARK, Lygia. Os bichos. Acervo digital. Disponível em: https://portal.lygiaclark.org.br/acervo/59268/os-bichos. Acesso em: 28 jul. 2024.

CORRÊA, Walmor. Unheimlich. Acervo digital. Disponível em: https://www.walmorcorrea.com.br/2005-serie-unheimlich. Acesso em 30 jul. 2024.

PAREYSON, Luigi. Estética: Teoria da Formatividade. Tradução de Ephraim Ferreira Alves. Petrópolis: Vozes, 1993.

PASSERON, René. Da Estética à Poiética” Porto Arte. Porto Alegre: Revista De Artes Visuais, v. 8, n. 15, p. 103-116, nov 1997. Disponível em: https://doi.org/10.22456/2179-8001.27744. Acesso em: 28 jul. 2024.

SALLES, Cecília. Almeida. Gesto Inacabado: Processo de Criação Artística. São Paulo: FAPESP: Annablume, 1998.

Published

2026-05-05

Issue

Section

Articles