Romantic-revolutionary brazilian: new cinema and search of nation identity
DOI:
https://doi.org/10.5902/2175497723444Keywords:
New Cinema. Romantic-revolutionary brazilianness. National identityAbstract
In this paper, we present a look at the configuration of Brazilian cinema in the 1960s Thus, this look is built from the observation of the consequences of the feeling of romantic-revolutionary Brazilianness forged and shared by the artistic and cultural circles in vogue at the time, more specifically, the Cinema Novo members. Therefore, it is analyzed the overlap between aesthetic-cultural and socio-political processes and the related search for national identity in cinemaDownloads
Downloads
Published
How to Cite
Issue
Section
License
The authors of texts approved by the referees of Animus - Inter-American Journal of Media Communication automatically concede, and without any charge, the right to the first publication of the submitted material.