Submissions
Submission Preparation Checklist
As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.- The contribution is original and unpublished, and is not currently under review for publication by another journal; otherwise, this must be justified in the “Comments to the Editor” section.
- The submission file is in Microsoft Word format (.doc or .docx).
- The submitted files follow the standards described in the Authors Guidelines, and the text is formatted according to the journal’s template, available in Documents.
- At least one of the authors holds a Ph.D.
-
All authors of the manuscript are registered in the journal’s system, in accordance with the submission instructions.
IMPORTANT: All registration information must be complete and up to date (Affiliation, Lattes, ORCID, etc.). In case of an error in the registration, check whether lowercase letters and/or numbers were used in the "User" field, as the system does not accept uppercase letters in this field. - The documents requested in the Documents section must be submitted at the time of submission. Failure to submit these documents will result in the rejection of the submission.
- The author identification of the work has been removed from the file and from the Properties option in Word, thereby ensuring confidentiality, in accordance with the journal’s policy regarding the Peer Review Process.
- All published materials will be licensed under the Creative Commons Attribution 4.0 International License (CC BY SA 4.0).
Performing Arts
The Performing Arts section welcomes research, essays, and experimental works that explore practices, processes, and critical reflections in theater, dance, performance, and other hybrid forms of the contemporary performing arts. The scope includes theoretical, historical, and poetico-critical studies on dramaturgy, staging, body, voice, movement, space, time, and reception, as well as investigations into pedagogies of the performing arts, collective creation, performativity, and body politics. Multidisciplinary, interdisciplinary, and transdisciplinary approaches that link the performing arts with other fields of knowledge are encouraged, valuing experimental, process-oriented, decolonial, and critical perspectives that expand the modes of creation, analysis, and circulation of performing arts practices.
Visual Arts
The Visual Arts section welcomes research, essays, and experiments that examine poetic, critical, and curatorial processes in contemporary and historical artistic production, in dialogue with other languages and fields of knowledge. The scope includes investigations into traditional and emerging artistic practices—such as painting, sculpture, printmaking, photography, video, performance, installation, digital and immersive art, collaborative art, among other practices—as well as theoretical, historical, and critical studies addressing aesthetics, visual culture, technological mediations, politics of the image, and modes of circulation and reception of art. Submissions with multidisciplinary, interdisciplinary, and transdisciplinary approaches are encouraged, valuing experimental, decolonial, process-oriented, and reflective perspectives on production, research, and teaching in the visual arts.
Design
The Design section aims to bring together research and critical reflections that investigate design as a cultural, social, technical, and political practice, considering its contemporary processes, methods, languages, and impacts. The scope encompasses theoretical, historical, and design-oriented studies in the fields of graphic, digital, product, service, interaction, information, and strategic design, including approaches to visuality, materiality, usability, experience, sustainability, innovation, and ethics. Multidisciplinary, interdisciplinary, and transdisciplinary contributions that link design with other fields of knowledge are especially welcome, as well as experimental and critical research that examines the modes of production, circulation, and mediation of design artifacts and systems in local and global contexts.
Letters
This journal is a scientific publication dedicated to the dissemination of original, unpublished research of theoretical and applied relevance in the fields of Linguistics and Literature, as well as interdisciplinary fields that engage with these areas. Its central objective is to promote knowledge, stimulate critical debate, and contribute to the consolidation of high-quality research practices within the Humanities.
Music
The Music section aims to promote the dissemination of knowledge and dialogue among researchers dedicated to the multiple thematic fields of Music, such as creative processes, interpretive practices, pedagogy and education, theory and analysis, historical musicology, ethnomusicology, popular and traditional music, systematic musicology and cognition, music therapy, and music technology, among others. Submissions that promote epistemological, aesthetic, conceptual, practical, and technological innovation are valued, especially if they stem from multidisciplinary, interdisciplinary, and transdisciplinary research. Submissions that reflect on artistic practice in its various manifestations are also valued, particularly those of an experimental nature and linked to emerging themes in contemporary sound expression.
Copyright Notice
The authors of articles published by Expressão retain the copyright to their works. The journal adopts the Creative Commons Attribution 4.0 International License (CC BY SA 4.0), which allows articles to be reused and distributed without restrictions for non-commercial purposes, provided that the original work is properly cited. Additionally, derivative works based on the journal’s publications must be distributed under the same license as the original material (CC BY SA 4.0).
Privacy Statement
The journal complies with the Brazilian General Data Protection Law (Law No. 13,709/2018), such that the data provided by authors is used exclusively for services related to the journal, including registration, communication, peer review, and content distribution. This information is not shared with third parties without the authors’ express consent, nor is it used for other purposes. During the editorial process, the information provided is handled securely and confidentially, in accordance with best editorial practices. By using our services, you agree to this privacy policy.

