The Imaginary Realism of the First War Photographs

Authors

  • Adriana Ferreira

DOI:

https://doi.org/10.5902/198373482186

Keywords:

Photograph, War, Crimea, American Civil War

Abstract

The photo like a technique image having the illusion for nothing could interfere with the camera and the object photographed. Presented reflections of authors such as Susan Sontag about photographic look and whats sensations offered by the images of war on society involved in conflicts. The study goes back to the first armed conflict has been documented in photos that seen: the Crimean War. Pioneers of war photography are named, such as Roger Fenton, Karl von Szathmari Baptist, Gilbert Elliott and Richard Nicklin. Particularly Fenton, sponsored by the British Crown, was crucial in the intuit to calm the public opinion about the conflict. Already, in American Civil War, the telegraph becomes essential for conflict´s development. In a time, the images of this war shocked the society by exposing bodies on the battlefield, but at the same time were considered true, or, by words of the photographer Mathew Brady, the eye of history.

Downloads

Download data is not yet available.

Author Biography

Adriana Ferreira

Mestre em Artes Visuais (2008) e bacharel em Belas Artes (2003), Universidade Federal de Minas Gerais

References

ADAMS, KEITH (org). British Military History Collections: 1801, 1945. Disponível em: http://www.bl.uk/collections/warfare1.html. Acesso em: 30 mai. 2007.

ASSOCIATED Press. Disponível em: http://www.ap.org/pages/about/about.html. Acesso em: 29 mai. 2007.

FABRIS, Annateresa. Fotografia: usos e funções no século XIX. São Paulo: EDUSP, 1991.

FENTON, Roger; GERNSHEIM, Helmut; GERNSHEIM, Alison. Roger Fenton: photographer of the Crimean war: his photographs and his letters from the Crimea. London: Secker & Warburg, 1954.

GARDNER, Alexander. Gardner’s photographic sketchbook of the american civil war, 1861-65. New York: Delano Greenidge Editions, 2001.

GERNSHEIM, Alison; GERNSHEIM, Helmut. Historia gráfica de la fotografía. Barcelona: Omega, c1966.

HUMPREY, S. D. Humphrey's Journal of the daguerreotype & photographic arts. Am erican hand book of the daguerreotype. New York. Disponível em:

http://stason.org/TULARC/recreation/photography/daguerreotype/64-Humphrey-S- Journal-Of-The-Daguerreotype-Photographic-A.html. Acesso em: 04 jun. 2007.

PASTORE, John O; CAJADO, Octavio Mendes. A história das com unicações: da luz de lanterna ao Telstar. São Paulo: Cultrix, 1966.

SONTAG, Susan. Diante da dor dos outros. São Paulo: Companhia das Letras, 2003.

VÁRIOS. Fotografia: Manual completo de arte e técnica. 3 ed. São Paulo: Abril Cultural, 1981.

Published

2010-10-25

How to Cite

Ferreira, A. (2010). The Imaginary Realism of the First War Photographs. Revista Digital Do LAV, 2(2), 142–161. https://doi.org/10.5902/198373482186